Becoming Yourself from the Short Story the Secret Lion

English 102 14September2012 Becoming Yourself Alberto Alvaro Rios short composition The deep Lion, captures the spirit of a coming-of-age written report between childhood and adolescence through the eye of two boys, presumably from a lower-class Latino background. Through the theatrical role of various symbols, the theme of change is made app arnt through the first-person, nameless bank clerk. The use of this narrator is w don shapes the flooring and the lessons learned indoors.Due to the authors superior of c arful consultation construction within the unnamed narrator, the reader faces a significant amount of emotions and reactions within a very brief, yet make short story. The usage of the first-person point of view immediately presents the narrator to be a round tone, due to the intimate opportunities the style of writing provides for manufacturing writing. Although we do non know the narrators name, due to the news report style the interview can relate to the stori es and experiences the shell reference has.We know how the character feels inwroughtly quite often, which is iconic of the round fictional character. For example, we are provided internal insights that only a round character would allow the audience the probability to discover. For example, the character reveals how he felt personally abandoned somehow when describing younger high take (Rios 201). We also discover a lot nigh the characters personality through the actions and habits mentioned in the story. The following rush exemplifies a traits only a round character could have .. hat we would do down there was shout every dirty boy we could think of, in every combination we could come up with, and we would telephone about girls, and all the things we wanted to do with them. (Rios 201) This reveals that the narrator and his friend Sergio are going through a hormonal, rebellious stage where new sensations and impulses produce what pretty much most junior high student mal es experience. Since he is a round character, the reader has a stronger connection with him, and ultimately go forth reap the moral of the story the author wanted to provide.Feature hold The Plane of the Sleeping Beauty AnalysisDue to the usage of the round character, the narrators pauperizations are very apparent. The motivations explain why the character is doing what he is doing. If the narrator was a flat character, the context of growth the two boys experience within their travels would be lost, and the story would lose an immense amount of what makes it so compelling. For example, without revelations of the motivations the character speaks of, then the story would be more or less unspoilt two boys simply walking around outside the desert, arriving to a play course, and leaving.The passage revealing what the children did to protect their treasured metal ball states We came up with the answer. We turn over a hole and buried. And we marked it secretly. Lots of secret signs We dug up the whole bank, and we never found it again. (Rios 202) Without knowing that they were trying to report this discovery and cherished item and then return to search for it, the audience would be left wondering exactly why these two children are digging up holes on an entire bank in the place of an arroyo. Also, his motivations real why the character does what he does in terms of story progression.Without motivations, there would be no engaged plot with a wage hike action, climax, falling action, and resolution, rendering this work just a series of nonmeaningful anecdotes. Because we know the background of the character as a middle school student itching to discover life, we can understand why he and Sergio leave adventuring to the arroyo and head to the mountains in the first place (Rios 205). They wanted to demote out what the adults, specifically his mother, were keeping from them first hand all because she told them not to worry about lay on the other side of the pa ss.Their motivation and intrigue to discover what secret they had been missing out on direct them to ultimately discover their version of heaven (the golf course) and ultimately the impermanency of life and change is inevitable. Due to the characters said discovery that change is the only the thing that is permanent, makes him a dynamic character. He goes from existence a curious, innocent naive boy at the graduation exercise of the story who found magic in matters that were familiar to the realization that some things you get by can e taken away from you, and that sadly, the grass is some metres greener on the other side of the fence. This is revealed in the penultimate paragraph when the boys who had dug up the entire mound looking for their new treasure at the beginning of the story didnt look so hard for it the second time (Rios 204). This newfound peace and bridal that things get taken away is what makes the character dynamic without the narrator would have not learned an ything, been a inactive character, and the reader would have been left with an uncertainty no successful fiction author wishes to convey.Ultimately, the unnamed narrator in The Secret Lion drives the story with his well-said first person point-of-view. Due to the choices the author made when giving the character his traits of being a round, dynamic character, the storys themes of change and acceptance are successfully conveyed. Works Cited Rios, Alberto Alvaro. The Secret Lion. Literature Reading, Reacting, Writing. Ed. Laurie G. Kirsner and Stephen R. Mandell. United States Uhl, 2013. 201-205. Print.