Bach and Schoenberg Essay -- Music

J. S. bach was the first known composer to use a genuine representation of his name in his music. He utilize the chromatic penury B-A-C-H , that is, B-flat, A, C, B-natural in American theoretical language in Contrapunctuas XIV from the wile of Fugue. Although Bach left this psychogenic fugue unfinished, the third and last unfastened of the fugue was the B-A-C-H motive that composers after Bach have used to pay indemnity to the great composer. There are a number of composers including Schumann, Liszt, Reger, Busoni, Schoenberg, and Webern, who have used the B-A-C-H theme in their works varying the way they employed it to train it part of their personal style. NEED SCHUMANN, LISZT, REGER INTRODUCTION SENTENCES. In 1910, Busoni created one of just about famous works, Fantasia Contrappuntistica, that finished Bachs unfinished fugue the theme is easily discernible in contrapuntal form. In 1923, the year Schoenberg created his twelve-tone method, he composed op. 25 Suite Fr Klavi er, which employs his tonal wrangling in inversion, the B-A-C-H motive. In 1937-38, a student of Schoenberg and a purveyor of serialism, Webern used a tonal row beginning with the B-A-C-H motive to create his piece Streichquartett, op 28. Each of the three contemporary composers uses this theme differently but they each have used these intravenous feeding notes to create a piece that connects each of them to Bach in a unique way. In Fuga a 3 Soggetti (Contrapunctus XIV) from the Art of Fugue Bach first presented two whole fugues with separate subjects before beginning the signature-subject . The subject begins with the four notes B flat, A, C, and B natural in a chromatic pattern that is easily recognized. As can be seen below, he right away matches his subject in the tenor with a real answer at a fi... ...e is a key factor of serialism and Webern is able ram this off while maintaining the B-A-C-H theme in his row. Annotated BibliographyARSIS Audio CD168. ARSIS Audi o. Web. 01 Oct. 2009. ElectronicBach, J.S. Contrapunctus cardinal Fuga a 3 sogetti. Art of Fugue. ElectronicBailey, Kathryn . Webern, Anton. Grove medication Online. Oxford Music Online. 9 Nov. 2009. ElectronicBusoni, Ferruccio. Fuga III. Fantasia Contrappuntistica. Print.Neighbour, O.W. Schoenberg, Arnold. Grove Music Online. Oxford Music Online. 9 Nov. 2009. Electronic. Sitsky, Larry. Busoni and the Piano The Works, The Writings, and the Recordings. New York Greenwood Press, 1986. Print.Schoenberg, Arnold. Suite Fr Klavier, Op.25. Wien Universal Edition. Print. Webern, Anton. Streichquartett, Op. 28 / c Webern. Wien Universal Edition. Print.