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Saturday, January 7, 2017

A Short Story by Gabriel Garcia Marquez

The Incredible and tragicomic Tale of Innocent Erendira and Her heartless Grandmother is a pitiful fiction story by Colombian author Gabriel Garcia Marquez who physical exertions his manner experiences to make his stories. The narrative spokessomebody in the story balances characters and events and at last breaks, momentarily, away from third person into first person mid-story, creating a liminal space connecting the story to another(prenominal) world presumably ours. In this short story Marquez is influenced by the literary movement of actuality and uses some of the elements to develop the traits of Erendira, the granddaughter, the grandmother, Ulises and the settings. Garcia gives a powerful impression of the disposition of these characters. Naturalism in writings is an approach that proceeds from an depth psychology of reality in term of natural forces like heredity, environment, and somatogenic drives. Naturalism neglects supernatural powers and considers the record to be the primary drive for everything happening. Marquez strives to portray life accurately through the dehumanization and the romanticisation of adolescence that shape Erendira and her grandmothers life, showing the development of labor by acquire and of passivity by mercilessness; Instead of free will, Marquez depicts Erendiras actions as determined by environmental forces surrounding her.\nMarquezs use of naturalistic style, depicting Erendira as a human fleshly, helps us crack her as dehumanized, a real human being departure through real life. At the beginning of the story as the grandmother and Erendira get a ride to a town after the house fire down, we see the start of the dehumanization process. As a remuneration for the ride, the truck loader, taming her with tenderness. (203), makes love to Erendira. Marquezs use of the word taming  suggest animal treatment as we usually associate the word with rearing animals. Soon after arriving in the town the grandmo ther as a mailman Do you like it? (205) in which he re...

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